The Book Review

“Mrs. Dalloway said she would buy the flowers herself”: So reads one of the great opening lines in British literature, the first sentence of Virginia Woolf’s classic 1925 novel, “Mrs. Dalloway.”

The book tracks one day in the life of an English woman, Clarissa Dalloway, living in post-World War I London, as she prepares for, and then hosts, a party. That’s pretty much it, as far as the plot goes. But within that single day, whole worlds unfold, as Woolf captures the expansiveness of human experience through Clarissa’s roving thoughts. On this week’s episode, Book Club host MJ Franklin discusses it with his colleagues Joumana Khatib and Laura Thompson.

Other books mentioned in this episode:

“The Passion According to G.H.,” by Clarice Lispector

“A Girl Is a Half-Formed Thing,” by Eimear McBride

“The Lesser Bohemians,” by Eimear McBride

“To the Lighthouse,” by Virginia Woolf

“Orlando,” by Virginia Woolf

“A Room of One’s Own,” by Virginia Woolf

“The Hours,” by Michael Cunningham

“Headshot,” by Rita Bullwinkel

“Tilt,” by Emma Pattee

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On this week's episode, A.O. Scott joins host Gilbert Cruz to talk about the value of close reading poetry. And New York Times Book Review poetry editor Greg Cowles recommends four recently published collections worth reading.

Books mentioned in this episode

* "New and Collected Hell: A Poem," by Shane McCrae

* "Ominous Music Intensifying," by Alexandra Teague

* "Ecstasy: Poems," by Alex Dimitrov

* "New and Selected Poems," by Marie Howe

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Steven Spielberg’s movie “Jaws” hit theaters 50 years ago this month, in June 1975, and became a phenomenon almost instantly. In some ways that was no surprise: The Peter Benchley novel it was based on, also called “Jaws,” had been a huge best seller the year before, and the public was primed for a fun summer scare. Brian Raftery — the author of “Best. Movie. Year. Ever: How 1999 Blew Up the Big Screen” — wrote about “Jaws” for the Book Review last year in honor of the novel’s 50th anniversary, and this week he visits the podcast to talk about the book, the movie adaptation and the era of blockbuster thrillers.

“If you’ve seen ‘Jaws,’ you could probably guess what the opening chapter of the book is,” he tells Gilbert Cruz (who has indeed seen “Jaws,” dozens of times). “It’s this shark attack, where this shark at night just devours this young female swimmer. The writing is really fun. It’s really gnarly, and it’s one of those amazing opening chapters where the book is moving as fast as the shark. After you read that first chapter, you are just completely pulled in.”

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In S.A. Cosby’s latest thriller, “King of Ashes,” a successful and fast-living financial adviser is called suddenly back to the small Virginia hometown he fled, where his family runs the local crematory and his father is in a coma stemming from a car crash that may not be as accidental as it seems.

Cosby himself is from a small Virginia town, and on this week’s podcast he discusses the allure of homecoming, the tricky emotional terrain of complicated families and the reason he keeps revisiting the rural South in his fiction.

“Once manufacturing moved out of these places, these rural places, there was nothing left to replace it. But crime — crime is America’s great secret industry. It’s our great secret empire. And when the legitimate businesses leave, crime steps in the fold. Nature abhors a vacuum, so crime steps in to fill that place. And I wanted to talk about cities like that."

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MJ Franklin, who hosts the Book Review podcast’s monthly book club, says that whenever someone asks him, “What should I read next?,” Yael van der Wouden’s “The Safekeep” has become his go-to recommendation. So he was particularly excited to discuss the novel on this week’s episode.

Set in the Netherlands in 1961, “The Safekeep” is one of those books it’s best not to know too much about, as part of its delight is discovering its secrets unspoiled. As the reviewer for The New York Times coyly wrote in her piece about the book, which was shortlisted for the Booker Prize in 2024: “What a quietly remarkable book. I’m afraid I can’t tell you too much about it.”

Here are some other books discussed in this week’s episode:

“The Torqued Man,” by Peter Mann

“The Little Stranger,” by Sarah Waters

“Mice 1961,” by Stacey Levine

“The New Life,” by Tom Crewe

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