New Books in Performing Arts

Teaching Shakespeare's Theatre of the World (Cambridge University Press, 2025) engages with one of Shakespeare's greatest thought-experiments: How does one navigate the 'theatre of the world'?

It invites students to examine how Shakespeare challenges this
metaphor's vertical hierarchies in response to shifting understandings
of cosmological order.

Teachers will find rich contextual
frameworks for exploring how Shakespeare envisions 'worlds' as emerging
from dynamic variables, raising urgent questions about how identity and
justice are environmentally constructed.

Focal plays include A Midsummer Night's Dream, As You Like It, Hamlet, Henry V, The Merchant of Venice, and Othello.

Each discussion features student centered 'Explorations'.

These play-specific classroom activities can also be adapted across
Shakespeare's corpus and tailored for both secondary and
university-level students.

These exercises encourage
non-linear critical and creative thinking, inviting students to
contemplate big ideas and generate new perspectives about the shared
points of contact between Shakespeare's world and their own.
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More than 40 years after her death, the legend of Maria Callas, "La Divina Assoluta," remains unsurpassed. Much has been written about her sensational opera career and fraught private life, from her definitive mastery of iconic opera roles to her love affairs and tantrums. The prototype for the 20th century celebrity diva, Callas emblematizes the cliche of tormented talent - genius in the ring with catastrophe.

Her extraordinary voice, in particular, has become an object of cult-like adoration and cultural significance almost with a life of its own: as fetish object, as sophisticated sonic signifier, and most recently, as the lifeblood for a Callas hologram. Such adoration is not without consequences. When Callas is transformed into a vessel for such transcendent magic, it overshadows what is perhaps her most superhuman ability - the masterful technique she deployed to shape and craft her astounding instrument. Singing bodies are working bodies, enacting an intimate and complex form of artistic labor and cultural signification.

Using one of Callas's first recital recordings from 1954, Maria Callas's Lyric and Coloratura Arias (Bloomsbury, 2021) envisions each aria as a lens to examine various aspects of vocalization and cultural reception of the feminized voice in both classical and pop culture, from Homer's Sirens to Star Trek. With references to works by Marina Abramovic, Charles Baudelaire, Michel Chion, Wayne Koestenbaum, Greil Marcus, and Farah Jasmine Griffin, as well as films by Pier Paolo Pasolini, Jonathan Demme, and Rainer Werner Fassbinder, each chapter explores phenomena unique to the singing voice, including the operatic screaming point, the politics of listening, and the singing simulacrum.

Ginger Dellenbaugh is a musician and historian who has written and lectured on music and politics, vernacular notation systems, and the cultural history of the voice. A trained opera singer, she performed for over a decade in Europe and the United States. Ginger is currently a lecturer at The New School in New York, USA and completing a PhD in musicology at Yale University, USA. She lives in New York City and Vienna, Austria.

Ginger Dellenbaugh’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
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In 1898, vaudeville actors Saint Suttle and Gertie Brown joyously embraced in a short silent film titled Something Good—Negro Kiss.
The first known film to portray African American affection, it was lost
for over a century until its rediscovery inspired contemporary
audiences with a powerful and enduring depiction of Black love. More
than a missing piece in an untold history of Black cinematic
performance, Something Good—and the magnetism of Suttle and
Brown—attests to the power of Black performance on stage and screen from
the nineteenth century to today.

In Acts of Love: Black Performance and the Kiss That Changed Film History (University of California Press, 2026), Allyson Nadia Field tells the story of Something Good
and recovers the forgotten yet fascinating lives of its performers and
their world. Drawing a vivid picture from sparse historical records, Acts of Love
examines popular culture's negotiation of blackness to reconsider the
intersections of minstrelsy, vaudeville, and cinema in ragtime America.
This book not only presents the story of Something Good, its
performers, and the drama of its rediscovery; it shows how the
rediscovery of this short early film changes our understanding of
American film history.
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Here in Episode 9 of Season 5, I interview Mr. Rob Long. A longtime Hollywood professional, he was a writer and producer for the classic sitcom Cheers as well as for over a dozen other shows. A National Review contributor and columnist for both Commentary and Washington Examiner magazine, he has authored two books, Conversations With My Agent (1998) and Set-Up, Joke, Set-Up, Joke (2005), and edited one, Bigly: Donald Trump in Verse (2017). As the co-founder of Ricochet, a media network, he hosts “Martini Shot,” a long-running, bite-size showbiz podcast, as well as cohosts “GLoP Culture.”

Drawing on his two comic memoirs—alongside his religious studies as a Master of Divinity student at Princeton Theological Seminary—we discuss his life in Hollywood, religious journey, and current training to become an Episcopal priest. Along the way we dig into the nature of humor, the rise and fall of the TV sitcom, the lost formation of the writer’s room, what it is like to be a Hollywood conservative, how technology like streaming and AI has changed show business, the strategy for the perfect sermon, and the spiritual calling of the creative arts.

Among the shows that are discussed include the Dick Van Dyke Show, Mary Tyler Moore Show, and Andy Griffith Show, plus films like Twentieth Century, A Night at the Opera, The In-Laws, and Midnight Run; along with guest appearances by Michaelangelo’s Pieta, Aristotle’s Poetics, Moliere, P.G. Wodehouse, P.J. O’Rourke, plus the wit of Jesus of Nazareth.
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How did black suits become so ubiquitous? Why has men's business clothing been so plain for the last 250 years? How did a style adopted by the Founding Fathers to differentiate themselves from European contemporaries become the dominant style for men around the globe?

Suitable: The Sartorial Revolution and the Fashioning of Modern Men (Oxford University Press, 2026) traces the shift from the colorful, flamboyant attire of the eighteenth century to the plain dark suit of the nineteenth century, characterizing this style evolution as a "Sartorial Revolution." In this book, American historian and costume designer Chloe Chapin traces the evolution of masculine style from the American Revolution through the Civil War and shows how men's suits shaped relationships of gender and power. Drawing on a wealth of visual and written sources, she shows how the plainness of suits symbolized new ideals of rationality and democracy and played a crucial role in framing the lasting identity and authority of American men. This richly illustrated book analyzes fashion history's impact on gender dynamics and emphasizes the dynamic relationships between bodies, clothing, and personal identity.

Suitable demonstrates the significance of fashion beyond mere appearance, illustrating the key role modern men's suits have played in shaping the modern world.

Chloe Chapin holds a PhD in American Studies from Harvard University and master's degrees in fashion and textile studies from the Fashion Institute of Technology and costume design from the Yale School of Drama. She has taught fashion history, costume design, gender studies, and anthropology. As a costume designer for over twenty years, her credits include Broadway musicals, opera, and Shakespeare. She works at Harvard University and lives in Cambridge, Massachusetts.

Caleb Zakarin is CEO and Publisher of the New Books Network.
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