NPR Music

With the arrival of the first new Olivia Tremor Control album in nearly 30 years, we attempt to make sense of the sprawling, enigmatic collective behind it known as Elephant 6.

NPR Music’s Lars Gotrich joins host Robin Hilton.

Special thanks to Greenwich Entertainment, C.B. Stockfleth and Rob Hatch-Miller for use of audio featured in the 2022 documentary, The Elephant 6 Recording Co. 

Featured artists and songs:

(00:00) Intro with “A New Day” by The Olivia Tremor Control
(03:00) The Elephant 6 story in 60 seconds with “Black Foliage (Animation 2)” by The Olivia Tremor Control
(04:28) The Apples In Stereo: “Tidal Wave”
(07:34) Robert Schneider on the creative process, from the documentary ‘The Elephant 6 Recording Co.’
(12:39) The Olivia Tremor Control: “Love Athena”
(16:17) The Apples In Stereo: “Glowworm”
(18:14) Neutral Milk Hotel: “Ghost”
(22:13) Elf Power: “Embrace The Crimson Tide”
(26:08) of Montreal: “Gallery Piece”
(29:25) The Gerbils: “Glue”
(33:54) The Instruments: “Song for Thomas”
(37:01) Beulah: “Score From Augusta”
(39:35) Great Lakes: “A Little Touched”
(41:21) Dressy Bessy: “I’m Still Here”
(51:12) The Olivia Tremor Control: “Meeting Ourselves”
(53:39) The Olivia Tremor Control: “Path of the Parallels VI - Last Occupants”
(55:15) The Olivia Tremor Control: “Leaf”
(57:41) The Olivia Tremor Control: “Begin Now!”

Tell us what you think with a review on Apple or Spotify wherever you listen to podcasts.

Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org

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Fontaines D.C. Sophia Stel. The Avalanches. Host Stephen Thompson breaks down the best albums out Friday, Oct. 16 with DJs from around the NPR Music network: Celia Gregory from WNXP in Nashville, Skylar Rochelle from 90.9 The Bridge in Kansas City and Andrew Brown from KUTX in Austin. Plus, a handful of NPR Music writers and critics offer their personal picks in the lightning round. 

The Starting 5

(02:23) Album No. 1
- Fontaines D.C., 'Dopamine Chamber'

(09:30) Album No. 2
- @, 'Autosmile'
 
(16:34) Album No. 3
- Sophia Stel, 'the greatest album of all time'

(23:05) Album No. 4
- June McDoom, 'Follow the Light'

(28:32) Album No. 5
- The Avalanches, 'No Bad Memories'

(35:53) The Lightning Round

- N8NOFACE, 'Tomorrow's World'
- Richard Thompson, 'Hippies, Thugs and Heroes'
- Max Richter, 'While The Flood Rages'
- Chuwi, 'Libertad'
- Flora Hibberd, 'Mammoth'

Sample the albums via our New Music Friday playlist.

Credits:
Host: Stephen Thompson
Guests: Celia Gregory, Skylar Rochelle, Andrew Brown
Audio Producer: Noah Caldwell
Digital Producer: Dora Levite
Editors: Elle Mannion, Otis Hart
Executive Producer: Suraya Mohamed
Special thanks to Ann Powers, Anamaria Sayre and Tom Huizenga

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The Tiny Desk’s magnetism is its intimacy. We strip back lights and a big stage and get to see artists speak honestly about who they are directly to an audience around the world.

This becomes all the more profound during our El Tiny takeover of Latin Music Month, where artists whisper truths and share secrets about community, country, pain and family. Often on production days, artists share with us the importance of each individual song — the stories behind them and why they needed to be played in such an honest space.

So, this week on Alt.Latino we wanted to let you all in on the secrets. Alex Ferreira, Draco Rosa and Los Tigres del Norte shared in their own words, what their Tiny Desk songs meant to them. Hopefully, learning what’s behind the songs will help each show mean a little bit more for all of you, too.

Artists and songs featured in this episode:

• Mon Laferte, "No Le Regales Tu Corazón"
• Alex Ferreira, "Monte Adentro"
• Draco Rosa, "Vagabundo"
• Los Tigres del Norte, "Somos Más Americanos"

You can watch the Tiny Desk Concerts featured in this episode here.

This podcast was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.

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Who’s the Mariah Carey of Halloween? Labels and artists are trying to capitalize on spooky season, but these are the songs that belong in the creepy canon, from the truly terrifying to simply seasonal and nostalgic.

Note: An earlier version of this episode appeared on All Songs Considered in 2025.

Tell us what you think with a review on Apple or Spotify wherever you listen to podcasts.

Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org

Featured artists and songs:

Phoebe Bridgers: “Killer” from ‘Stranger in the Alps’
Fever Ray: “If I Had A Heart,” from ‘Fever Ray’
Sufjan Stevens: “John Wayne Gacy, Jr” from ‘Illinois’
Jack Lenz: “Goosebumps” (theme from the TV show)
Disneyland Records: “Chilling, Thrilling Sounds of the Haunted House”
Alice Cooper: “Welcome to My Nightmare,” from ‘Welcome to My Nightmare’
Oksana Linde: “Horizontes lejanos,” from ‘Travesias’
Florence + the Machine: “Everybody Scream,” from ‘Everybody Scream’
Ethel Cain: “Housofpsychoticwomn,” from ‘Perverts’
girl in red: “We Fell In Love In October” (single)
Mimicking Birds: “Bloodlines,” from ‘EONS’
Van Morrison: “Moondance,” from ‘Moondance’
The Cramps: “I Was A Teenage Werewolf,” from ‘Songs the Lord Taught Us’
Dead Man’s Bones: “My Bodies a Zombie for You,” from ‘Dead Man’s Bones’
Vince Guaraldi: “The Great Pumpkin Waltz,” from ‘The Great Pumpkin’

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At almost exactly the midpoint of our conversation about the fifth album made by his band, Fontaines D.C., Grian Chatten told me, “It's an interesting time to be a self.” We'd been talking about the themes on 'Dopamine Chamber,' which comes out on Oct. 16, and could serve as a soundtrack to the era we live in now, what Chatten calls our “glorious age of distraction.”

It's also an interesting time to be a rock band in the mainstream, and that’s where Fontaines D.C., which formed in 2014, definitely lives these days. The Irish quintet’s next tour has them in stadiums and arenas, and the one guest on 'Dopamine Chamber' is pop's universal “it” girl, the Spanish singer Rosalía. The 2024 album Romance took Fontaines to another level, earning them two Grammy nominations and their best sales ever, with hits like the sweet and earnest “Favourite.” Following it up, Fontaines didn't take the easy way. Instead, they explored new sounds to create a captivating sonic travelogue that somehow connects the decadent beauty of old Europe with the narcotic ethereality of cyberspace.

Things really gel for Fontaines on 'Dopamine Chamber.' Using vintage synthesizers and studio effects, the band builds on the hypnotic energy that's always been its calling card to make something huge and seductive and haunting. I was lucky to speak with Chatten about his evolution as a storyteller and his place within a band that's always growing, but which remains utterly true to itself.

When they were making 'Dopamine Chamber,' Chatten’s bandmates recorded the instrumental parts of the songs first, and then Chatten went off on his own to write and record lyrics. This interview worked the same way — I talked with Chatten on his own, and with bassist Conor Deegan (who goes by “Deego”) about how guys who have been playing together since college have taken their bashing punk sound all the way to the stratosphere.   - Ann Powers

Credits:
Host: Ann Powers
Audio Producer: Noah Caldwell
Editor: Jacob Ganz
Executive Producer: Suraya Mohamed
Executive Director: Sonali Mehta

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